Tuesday, May 06, 2008

Bookslut Indie Heartthrob of the Week

I'm a day late with this week's announcement, but Bookslut's Indie Heartthrob of the week is none other than my roommate, Nick Sumida. Check out the interview at Blog of a Bookslut, check out some comix, and spread the love!

Bookslut's Indie Heartthrob Interview Series

A weekly interview series where someone involved in the small press (be it writer, editor, slush slave, etc.) is thrown into the spotlight, grilled over the state of the independents and sundry other items, and quickly made to return from whence they came after having graced us all with their presence.

This Week: Nick Sumida

I'm going to be blunt: Nick is my roommate. I've known him for quite a while now, and I had the opportunity to watch him refine his work as a cartoonist. He recently put out a new zine called Broken Piñata (if you have the means, pick it up. Seriously. Read it.), and he has much more in store this summer. Check out his work at Doggy Hey Light Comix. While you're at it, go ahead and contact him through the comment feature on his blog for a copy of Broken Piñata. The uptight can just email him.

You just put out a new zine called Broken Piñata. How far back in your career does this cover?

The Broken Piñata zine basically collects some of the work I've done in school from 2007 and 2008. I've made a lot of zines in the past, but this is the first collection of work I'm really proud of. It's sort of jarring to think of it as the beginning of my career in that respect, because I still think of myself as a student trying to figure out what I want to do. When the word career enters the equation for me, it's like the scary real world is that much closer.

How do you think the zine movement is helping young artists like yourself?

I think the zine movement is great for young artists in that it's void of the third party editorial process and forces you to be resourceful. I think people can be really creative when working around limits, like having a low budget and only two hands to put things together. It's a really personal and earnest way for someone to share their work with their peers, publishers, and the public. Also, since there's so much out there, it's a real challenge to stand out, so you see a lot of people incorporating strange design elements or, say, paper made out of bald eagle feathers or something. For me, the zine movement also provides a gradual way to get used to letting my work go and feeling gratified with people seeing it.

More at Blog of a Bookslut.

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